The politics оf spectacle: Italian music аnd Fascist propaganda
Illiano Roberto, Sala Massimiliano
Muzikologija, 2012 (13):9-26
Details  Full text ( 251 KB)  DOI:10.2298/MUZ120325010I
Music in a ‘classless society’: Activities of members and ‘fellow travelers’ of communist party of Yugoslavia on the construction of conceptual and practical basis of the new musical order
Vesić Ivana
Muzikologija, 2012 (13):27-52
Details  Full text ( 361 KB)  DOI:10.2298/MUZ120309011V
Trumpeting through the iron curtain: The breakthrough of jazz in socialist Yugoslavia
Vučetić Radina
Muzikologija, 2012 (13):53-77
Details  Full text ( 377 KB)  DOI:10.2298/MUZ120229012V
Arthur Lourié and his conception of revolution
Levidou Katerina
Muzikologija, 2012 (13):79-100
Details  Full text ( 234 KB)  DOI:10.2298/MUZ120229013L
Gubaidulina, misunderstood
Medić Ivana
Muzikologija, 2012 (13):101-123
Details  Full text ( 484 KB)  DOI:10.2298/MUZ120303014M
The reception of Soviet music in the west: A history of sympathy and misunderstandings
Hakobian Levon
Muzikologija, 2012 (13):125-137
Details  Full text ( 205 KB)  DOI:10.2298/MUZ120204015H
Baroque references in works of Vlastimir Trajković
Stefanović Аna
Muzikologija, 2012 (13):141-162
Details  Full text ( 763 KB)  DOI:10.2298/MUZ120401016S
Ibsen’s Danse Macabre: The importance of auditory elements in Henrik Ibsen’s drama John Gabriel Borkman
Todić Sofija
Muzikologija, 2012 (13):163-180
Details  Full text ( 290 KB)  DOI:10.2298/MUZ120130017T