The history of the three-part bagpipes in the light of migrations
Lajić-Mihajlović Danka R.
Muzikologija, 2003 (3):13-25
Details  Full text ( 1115 KB)  DOI:10.2298/MUZ0303013L
About the melodic type of the song čubro maro and about its geographical diffusion
Jovanović Jelena L.
Muzikologija, 2003 (3):27-41
Details  Full text ( 526 KB)  DOI:10.2298/MUZ0303027J
Italian musicians in Greece during the nineteenth century
Romanou Ekaterini
Muzikologija, 2003 (3):43-55
Details  Full text ( 642 KB)  DOI:10.2298/MUZ0303043R
Greek composers of the Ionian islands in Italian musical life during the 19th century
Vergadou-Mavroudaki Christina
Muzikologija, 2003 (3):57-63
Details  Full text ( 80 KB)  DOI:10.2298/MUZ0303057V
The Russian musical emigration in Yugoslavia after 1917
Melita Milin
Muzikologija, 2003 (3):65-80
Details  Full text ( 128 KB)  DOI:10.2298/MUZ0303065M
The work of the couple Brailowsky in the mirror of Serbian critiques
Mosusova Nadežda
Muzikologija, 2003 (3):81-113
Details  Cross Ref cited by(1)  Full text ( 228 KB)  DOI:10.2298/MUZ0303081M
A critical review of the most important sources on Dimitris Mitropoulos 1896-1960
Siopsi Anastasia
Muzikologija, 2003 (3):115-125
Details  Full text ( 112 KB)  DOI:10.2298/MUZ0303115S
Texture et matériau dans la pensée musicale contemporaine
Bosseur Jean-Yves
Muzikologija, 2003 (3):129-139
Details  Full text ( 76 KB)  DOI:10.2298/MUZ0303129B
Vladan Radovanović's "syntheѕic art"
Janković Ivana
Muzikologija, 2003 (3):141-186
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Die Anwesenheit des abwesenden schmerzlich zu machen…
Kostakeva Maria
Muzikologija, 2003 (3):187-197
Details  Full text ( 70 KB)  DOI:10.2298/MUZ0303187K
From modernism to socialist realism in four years: Myaskovsky and Asafyev
Frolova-Walker Marina
Muzikologija, 2003 (3):199-217
Details  Full text ( 99 KB)  DOI:10.2298/MUZ0303199F
On the orthodox church melos: A contribution to the typology of church chant
Peno Vesna M.
Muzikologija, 2003 (3):219-234
Details  Cross Ref cited by(1)  Full text ( 185 KB)  DOI:10.2298/MUZ0303219P