Musical instruments depicted in medieval Serbian art under oriental and western influences
Pejović Roksanda
Muzikologija, 2005 (5):15-26
Details  Full text ( 124 KB)  DOI:10.2298/MUZ0505015P
Evropa koja se menja - muzička približavanja u odnosu napetosti između Istoka i Zapada
Loos Helmut
Muzikologija, 2005 (5):27-36
Details  Full text ( 78 KB)  DOI:10.2298/MUZ0505027L
Borders and bridges: Preliminary thoughts on Balkan music
Samson Jim
Muzikologija, 2005 (5):37-55
Details  Full text ( 125 KB)  DOI:10.2298/MUZ0505037S
A song that will not die: Shifting symbolism in the interpretation of two sanguineous operas
van der Schoot Albert
Muzikologija, 2005 (5):57-84
Details  Full text ( 845 KB)  DOI:10.2298/MUZ0505057v
Symbolism and theatre of masques: The deathly carnival of la belle époque
Mosusova Nadežda
Muzikologija, 2005 (5):85-99
Details  Full text ( 121 KB)  DOI:10.2298/MUZ0505085M
Eastern naturalness versus western artificiality: Rimsky Korsakov's influence on Manoles Kalomoires' early operas
Romanou Aikaterini
Muzikologija, 2005 (5):101-117
Details  Full text ( 153 KB)  DOI:10.2298/MUZ0505101R
The East and the West in the polemical context of the Serbian music between the two World Wars
Tomašević Katarina D.
Muzikologija, 2005 (5):119-129
Details  Cross Ref cited by(1)  Full text ( 116 KB)  DOI:10.2298/MUZ0505119T
Sounds of lament, melancholy and wilderness: The Zenithist revolt and music
Milin Melita B.
Muzikologija, 2005 (5):131-144
Details  Cross Ref cited by(1)  Full text ( 139 KB)  DOI:10.2298/MUZ0505131M
Toru Takemitsu, novembr steps: Oppositions et complémentarités des traditions
Bosseur Jean-Yves
Muzikologija, 2005 (5):145-152
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Two orients in Rudolf Bruci's opera Gilgamesh
Radović Branka
Muzikologija, 2005 (5):153-165
Details  Full text ( 115 KB)  DOI:10.2298/MUZ0505153R
Alexandre Damnianovitch: De l'orient à l'occident
Nicephor Sylvie
Muzikologija, 2005 (5):167-180
Details  Full text ( 122 KB)  DOI:10.2298/MUZ0505167N
Korean opera-film Chunhyang and the trans-cultural politics of the voice
Joe Jeongwon
Muzikologija, 2005 (5):181-193
Details  Full text ( 95 KB)  DOI:10.2298/MUZ0505181J
Neither East nor West, in between but not a bridge: A riddle for a new discipline, the ethnogeomusicology
Zemtsovsky Izaly I.
Muzikologija, 2005 (5):195-203
Details  Full text ( 87 KB)  DOI:10.2298/MUZ0505195Z
Thomas Morley als musiktheoretiker
Popović Tihomir T.
Muzikologija, 2005 (5):245-255
Details  Full text ( 84 KB)  DOI:10.2298/MUZ0505245P
Influences of ancient Greek spirit on music romanticism as exemplifies in Richard Wagner's Gesamtkunstwerk
Siopsi Anastasia
Muzikologija, 2005 (5):257-267
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Zur kompositorischen Arbeit von Vitezslav Novák an Beispielen von Materialien der Kammermusik-werke
Krupkovä Lenka
Muzikologija, 2005 (5):269-288
Details  Full text ( 260 KB)  DOI:10.2298/MUZ0505269K
Serbian Literary Magazine and avant-garde music
Vasić Aleksandar N.
Muzikologija, 2005 (5):289-306
Details  Cross Ref cited by(4)  Full text ( 168 KB)  DOI:10.2298/MUZ0505289V
Olivier Messiaen's quartet for the end of time, secret of form: Movement VI
Maksimović Svetlana
Muzikologija, 2005 (5):307-312
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Les poèmes ragusains de Dejan Despic
Stefanović Ana
Muzikologija, 2005 (5):313-345
Details  Full text ( 1962 KB)  DOI:10.2298/MUZ0505313S
Contemporary musical historiography and the problems of the methodological approach
Vasić Aleksandar N.
Muzikologija, 2005 (5):347-389
Details  Full text ( 307 KB)  DOI:10.2298/MUZ0505347V
Three bars by Wittgenstein
Heijerman Erik
Muzikologija, 2005 (5):393-395
Details  Full text ( 217 KB)  DOI:10.2298/MUZ0505393H