Mozarts Gegenwärtigkeit in der zeitgenössischen Musik: Werken von F. Weiss, A. Schnittke, V. Dinescu, R. Vlad, A. Stroe, T. Olah, H.P. Türk und D. Dediu
Sandu-Dediu Valentina
Muzikologija, 2004 (4):15-24
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Stylistic directions in Stevan Hristić’s oratorio Vaskrsenje, Resurrection: The question of crossroads-traditions in Serbian music at the beginning of the twentieth century
Tomašević Katarina D.
Muzikologija, 2004 (4):25-37
Details  Cross Ref cited by(3)  Full text ( 169 KB)  DOI:10.2298/MUZ0404025T
Music in Serbian literary magazine and Yugoslav ideology
Vasić Aleksandar N.
Muzikologija, 2004 (4):39-59
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A composer’s inner biography a sketch for the study of influences in Ljubica Marić’s oeuvre
Melita Milin
Muzikologija, 2004 (4):61-82
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The maiden and death: A comparative reading of the homonymous compositions of Nikos Skalkottas and Antiochos Evangelatos as narrations of Greek tradition
Siopsi Anastasia
Muzikologija, 2004 (4):83-89
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Musik als Sprache oder strukturalistisches denken in der Musik am Beispiel Pierre Boulez
Dobretsberger Barbara
Muzikologija, 2004 (4):91-104
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Innere Emigration und Diktatur die getarnten Botschaften in den Opern der meister aus bojana von Konstantin Iliev und der gefesselte Prometeus von Lazar Nikolov
Kostakeva Maria
Muzikologija, 2004 (4):105-112
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Samuel Beckett and music an absurd essay about the idea of musicality and musical form in Samuel Beckett’s short pieces - influences and possibilities
Mosusova Nadežda
Muzikologija, 2004 (4):113-120
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Communion songs not regulated by the typicon in the recent tradition of Serbian church singing
Peno Vesna M.
Muzikologija, 2004 (4):121-152
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Roman Ingarden’s theory of intentional musical work
Stęszewski Jan
Muzikologija, 2004 (4):155-165
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Music critic Gustav Michel
Vasić Aleksandar N.
Muzikologija, 2004 (4):167-195
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Petar Bergamo’s symphonic compositions: Perspectives of the 1960s and 1990s
Simonović-Schiff Jelena Đ.
Muzikologija, 2004 (4):197-222
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Zora D. by Isidora Žebeljan: Towards the new opera
Čičovački Borislav
Muzikologija, 2004 (4):223-245
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